The Pace Gallery was founded by Arne Glimcher in Boston in 1960. Three years later, the gallery relocated to New York, setting up its headquarters in Midtown Manhattan. By the early 1980s, Pace was fully established as one of the city’s premier modern and contemporary art venues for painting, sculpture, video, and installation art. Over the years, Pace’s stable has grown to include major international artists and estates of the 20th and 21st centuries. The gallery has mounted nearly 700 exhibitions, including several scholarly show... Read more
Social Media at The Pace Gallery assembles a group of artists responding to the internet, whether as a way of bringing people together, as an aesthetic influence, or as a state of affairs to regard skeptically and even satirize. Social Media takes a long view that starts in the 1960s with Robert Heinecken (the show’s one pre-internet artist), who altered magazines like Time and Mademoiselle with his own collages and put them back on supermarket racks for others to stumble on. Since Heinecken, the idea of pulling from, responding to, and feeding back into the media has become more commonplace – Twitter, Tumblr, conceptual art video games, supercuts, and super supercuts attest to the prevalence of Heinecken’s media interventionism.