Video
A sinister, Lynchian dystopia.
A user-generated collection of video art on display adjacent to modern art legends at MoMA.
Shezad Dawood’s imaginative reworking of his feature film adds another language to an already multilingual affair.
A meditation on the machines that extend human awareness.
Petra Cortright’s VVEBCAM 2007 gazes deep into the self/screen/camera.
The blues encompasses more than the melancholic rhythms of Robert Johnson or the husky lyrics of John Lee Hooker.
Two corpse heads discuss representation, immanence, and narcissism.
A group of seemingly isolated men in a lounge bar begin to sing along to Roy Orbison’s “Crying.”








































