Laura Gonzalez
Recent Yale grad and art history major, writing for Artlog during the summer. Hopes to work in the city’s art world for a long time to come.
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Magazine posts contributed by Laura Gonzalez
U.S. Introspection in Venice
06/02 |
Laura Gonzalez
The selection of Jennifer Allora and Guillermo Calzadilla to represent the United States in the 2011 Venice Biennale is sure to have raised some eyebrows. The artist collective based in Puerto Rico is far from a household name in the United States, and their subtle aesthetic commentary on issues of politics and culture are, at times, critical of contemporary American realities.
Jeff Wall's Historical Ambition
06/04 |
Laura Gonzalez
Bringing Velázquez, Manet, and Delacroix to bear on scenes of modern life, from nightclubs to a ventriloquist at a birthday party.
The 54th Venice Biennale: And the Winner Is...
06/06 |
Laura Gonzalez
The results are in for the 54th Venice Biennale’s award recipients: a controversial German pavilion, Christian Marclay's runaway hit, a promising young British artist, and more.
The Art Fair As Festival and Studio Visit
06/13 |
Laura Gonzalez
The 7th edition of VOLTA opened today, continuing its innovative approach to the art fair model. Instead of the usual custom of having galleries showcase a wide range of artists, the curatorial board has strongly encouraged exhibitors to dedicate their booths to fewer artists and establish a dialogue between their oeuvres. This increased curatorial involvement, which is becoming a popular practice among international art fairs, puts the event’s focus on the artists themselves - on their visions, processes, and creations - rather than exclusively on prestige or name recognition.
Not Just a Trade Show
06/14 |
Laura Gonzalez
Throughout the past few years, the fair has substantially extended its public programming aimed at an audience that seeks to look and learn, and might not necessarily collect. These program offerings, consisting of open lectures, panels, films, and public artworks make the art fair seem at times like a festival, an additional role to its reputation as the crown jewel of the art market. Art Basel has gradually become open to a wider audience as an educational and entertaining experience.
