Erwin Wurm: Beauty Business
December 1, 2011 – March 4, 2012
Miami Beach, FL. (November 2011) — The Bass Museum of Art is pleased to present its latest exhibition, Erwin Wurm: Beauty Business, making its debut during Art Basel Miami Beach 2011 with art and sculptures by artist Erwin Wurm. Wur... Read more
Erwin Wurm: Beauty Business
December 1, 2011 – March 4, 2012
Miami Beach, FL. (November 2011) — The Bass Museum of Art is pleased to present its latest exhibition, Erwin Wurm: Beauty Business, making its debut during Art Basel Miami Beach 2011 with art and sculptures by artist Erwin Wurm. Wurm, an artist living and working in Vienna, combines various art forms: sculpture, photography and performance into a unique personal view of the everyday world. Drawing on history, humor and philosophy, Wurm creates light-hearted artworks with at times serious messages. His new large sculptural works which have a grand theatrical scale and were created specifically for this exhibition, attract the viewer to interact and participate. Wurm’s smaller-scale Drinking Sculpture series ask the audience to engage and in which they literally do; it is a bar. The audience is asked to open drawers and interact with the piece. A Drinking Sculpture is realized when the audience is drunk.
Wurm’s well-known sweater pieces, in the format of large-scale wall works, blur the boundary between human form and the museum building. Here, Wurm eludes to dressing a portion of the museum for warmth and security. A series of smaller sweater sculptures also incorporate fashion – the sweater forms are stretched and altered by crude wooden braces. These altered works transform the visitor’s view of the sweater forms into the present moment, leaving any history, which can be at times painful, and the future, at best illusionary, out of the experience. Additionally, a new series of ‘hoodie’ works push the human form and showcase how balance can be found within the gallery spaces.
Beauty Business, is Wurm’s first cohesive focus on the home or dwelling. As architect Le Corbusier once remarked, the purpose of architecture is to move us. In his art, Wurm consistently realizes architecture’s highest aim as he creates works whose extraordinary power lies not only in how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwell. A dwelling is an in-between space where one may hesitate between worlds. The activity of dwelling is therefore a contemplative lingering – a way of remaining in a space or location that is responsive to the nature of that particular place, and open to whatever happens to trigger your imagination; through association, through fantasies, daydreams, desires, or memories.
Wurm’s greatest insights as an artist are that he believes our feelings about such locations are often mixed, that we are often drawn to what both attracts and repels – these are things the artist understands intuitively. If in the space surrounding his objects we experience our own ambivalence about certain issues more intensely, it is because of the way, in theme and structure, his work so elegantly holds contradictory elements in tension.
