Having chewed up the streets of London’s east end, British artist Sweet Toof takes a bite out of the Big Apple with his first New York solo exhibition, Dark Horse. Revealing a new series of original works, Sweet Toof’s Trojan Horse greets the city that never sleeps ‘til Brooklyn at the freshest ... Read more
Having chewed up the streets of London’s east end, British artist Sweet Toof takes a bite out of the Big Apple with his first New York solo exhibition, Dark Horse. Revealing a new series of original works, Sweet Toof’s Trojan Horse greets the city that never sleeps ‘til Brooklyn at the freshest factory in town.
Like the Dark Horse himself, Sweet Toof has risen up the ranks as a graffiti artist throughout 80s and 90s England, where his letterforms and street styles have evolved alongside a rigorous academic practice as a realist painter and sculptor. Heavily influenced by the Vanitas paintings of sixteenth century Europe, Mexican Day of the Dead, Subway Art, and the underground comics of Vaughn Bodé, his characteristic gummy chompers are a true mash-up of street and studio.
Now, the anonymous face that launched a thousand teeth unleashes the beast and charges forward once again—with a fleet of new works and an army of horsemen braced to paint New York by storm. It’s a call to arms in the battle for free expression: join forces, or else just grin and bear it.
