A solo show by New York based artist Rob Swainston. In this new series of 36 mixed-media works, Rob Swainston merges traditional printmaking processes—such as lithography, woodcut, and silkscreen—with digital photography and printing to create a torrent of visual information and energy, all compr... Read more
A solo show by New York based artist Rob Swainston. In this new series of 36 mixed-media works, Rob Swainston merges traditional printmaking processes—such as lithography, woodcut, and silkscreen—with digital photography and printing to create a torrent of visual information and energy, all compressed into uniform 24” x 32” x 1” boxes.
Initiated as an open-ended project in 2008, Swainston’s proposition boxes were first limited by a defined paper size (22″ × 30”) and the material recycling of previous large-scale print-based installations. Inspired by Rauschenberg’s “combines” and Deluzian architectural theory, Swainton’s exploratory process of mixing, matching, printing, and overprinting generated new visual components, which were re-sampled and re-contextualized into existing compositions. Central to the artist’s working process is the constant mediation, recycling, and cannibalization of his own printed imagery and ideas as a means to address the use, repetition, manipulation, and ultimate dissolution of the social image.
Swainston finds printmaking uniquely situated to address the ways in which historical, political, and cultural factors contribute to how we experience and understand images in our society. In its ability to disseminate information quickly and cheaply, the printed image—historically understood to be the most democratic medium—not only threatens the impact of other mediums, but also, according to Swainston, “has the power to subsume all forms of knowledge and discourse.”
