Greater New York, the third iteration of the quinquennial exhibition organized by MoMA PS1 and The Museum of Modern Art, showcasing some 68 artists and collectives living and working in the metropolitan New York area, will open at MoMA PS1 on May 23 and run through October 18, 2010. The 2010 exhi... Read more
Greater New York, the third iteration of the quinquennial exhibition organized by MoMA PS1 and The Museum of Modern Art, showcasing some 68 artists and collectives living and working in the metropolitan New York area, will open at MoMA PS1 on May 23 and run through October 18, 2010. The 2010 exhibition will not only present recent work made within the past five years, but also will foster a productive workshop where artists are invited to experiment with new ideas within MoMA PS1’s building for the duration of the exhibition. Greater New York is organized by Klaus Biesenbach, Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art; Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings, The Museum of Modern Art; and Neville Wakefield, MoMA PS1 Senior Curatorial Advisor.
Covering a full range of practices and media, the artists in Greater New York are inspired by living in one of the most diverse and provocative centers of cultural activity in the world. The exhibition centers largely on the process of creation and the generative nature of the artist’s studio and practice. A number of artists have been commissioned to work in residence in MoMA PS1’s gallery space to shoot photographs and video, rehearse and realize performances, and stretch the notions of sculpture, painting, photography, film, and video-making.
New large-scale installations and artist commissions were produced for the exhibition. Monumental pieces like Hank Willis Thomas’ Unbranded series appear, which is showcased for the first time in its complete version in New York City, along with Sharon Hayes’ Revolutionary Love: I Am Your Worst Fear, I Am Your Best Fantasy, being shown in its first full-length exhibition iteration. Varying interests and concerns emerge throughout the exhibition’s diverse presentation.
Spanning a broad variety of artistic processes and practices today, the works in Greater New York range from explorations in color and form, to examinations of ecological, geopolitical, and sociological interests, to meditations on race, gender, and generational identifications, to discussions of recent trauma and the building boom in New York.
