Peter Blum is pleased to announce the exhibition John Zurier, Jason Fox, Richard Allen Morris, opening on May 20 at 526 West 29th Street. The exhibition John Zurier, Jason Fox, Richard Allen Morris brings together 3 different painting positions.
John Zurier: White Paintings and Night Paintings... Read more
Peter Blum is pleased to announce the exhibition John Zurier, Jason Fox, Richard Allen Morris, opening on May 20 at 526 West 29th Street. The exhibition John Zurier, Jason Fox, Richard Allen Morris brings together 3 different painting positions.
John Zurier: White Paintings and Night Paintings occupies the two main galleries. The White Paintings reference the qualities of light, weather, and surface, but without ever turning to pictorial or figurative language. These paintings probe the material surface and can be read as an intimation of space without the illusion of depth. Zurier found inspiration for the Night Paintings from traditional indigo textiles in Japan. He translates his experience of looking out of the window through half-open blinds by scraping away some of the pigment, allowing the lighter ground to emerge. As the indigo color soaks into the raw linen, completely darkening the surface, Zurier’s only way of navigating the canvas is to rely on his feel, touch and memory.
Jason Fox’s cycle entitled Stations is presented in the side gallery. This series from 2009 consists of 15 acrylic on canvas paintings each 24 × 20 inches. The imagery ranges from abstract, geometrical shapes to loose portraits. Fox’s use of historical references point specifically to Malevich and Palermo in this grouping. He deliberately uses cheap store bought, pre-fabricated stretchers to emphasize the particular use of humble materials.
Richard Allen Morris: New Works, on view in the front gallery, features a selection of recent paintings from 2009-2010. The small canvases –no work measures more than 24 × 18 inches- expand on Morris’ interest in Abstract Expressionism with an eye to Pop Art. Morris paints the first layer of the works in a bright monochrome hue and then partly covers the surface with acrylic paint squeezed straight out of the tube or applied thickly with a palette knife. The self-taught Morris, now in his late seventies, continues to playfully explore the potential of painting.
