For this 2010/11 season opening exhibition, Matthew Lutz-Kinoy presents Warped Passage*, an exhibition of drawings, monotypes and three-dimensional forms that channel an abstracted space that only can be seen through creative fervours.
The starting point is Lutz-Kinoy’s meditation on the origin of avant-garde, a meeting place in artistic history where a group of artists come together to discuss work and create a movement. Central to the exhibition are the reflective transparent sculptures, the warped objects that represent a fic... Read more
For this 2010/11 season opening exhibition, Matthew Lutz-Kinoy presents Warped Passage*, an exhibition of drawings, monotypes and three-dimensional forms that channel an abstracted space that only can be seen through creative fervours.
The starting point is Lutz-Kinoy’s meditation on the origin of avant-garde, a meeting place in artistic history where a group of artists come together to discuss work and create a movement. Central to the exhibition are the reflective transparent sculptures, the warped objects that represent a fictive space consumed by distortion and reflection. Like an invisible “dark matter” in a space, it observes and influences those social places of exchange and creation. In an edge of the distorted space and time, we share a moment of collective fantasy; the lights refract and expose our movement.
*The show title refers to a book (2005) by Lisa Randall, an American theoretical physicist, in which she explains how our universe may have many unseen dimensions.
