While black is a word with many connotations—referring to color, race, style of comedy, etc.—the phrase black art is usually associated with works made by artists of African descent. Simply put, it is both a color and a concept.
This exhibition comprises works drawn primarily from SAM's permanent collection and magnifies the impact of this charged color and its reference to complicated social histories and purely artistic concerns. The installation Black Art includes work that spans across time, from ca. 1830 to 20... Read more
While black is a word with many connotations—referring to color, race, style of comedy, etc.—the phrase black art is usually associated with works made by artists of African descent. Simply put, it is both a color and a concept.
This exhibition comprises works drawn primarily from SAM’s permanent collection and magnifies the impact of this charged color and its reference to complicated social histories and purely artistic concerns. The installation Black Art includes work that spans across time, from ca. 1830 to 2006, and across national and ethnic boundaries. Among the issues that black, as a concept, raises are racial and cultural heritage, perception and stereotype, spirituality and religion, protest and narrative. The aesthetic role that the actual color black plays in formal exercises of composition and line are highlighted in both figurative and abstract work shown here. It’s up to you to determine when black refers to a subject, an artistic identity, aesthetic choices or content.
This installation is particularly relevant to the work of Gwendolyn Knight and Jacob Lawrence, the artists for whom this gallery is named. Jacob Lawrence found his success in creating art that featured the triumphant stories of Black subjects, and Gwendolyn Knight’s work celebrated animals, nature and people of diverse backgrounds.
–Sandra Jackson-Dumont
Adjunct Curator and the Kayla Skinner Deputy Director of Education & Public Programs
