Marian Goodman Gallery is very pleased to announce an exhibition of new works by John Baldessari titled “Double Play” to open on October 19th - November 21st, 2012.
The exhibition consists of a new series of paintings on canvas in which Baldessari engages us in his strategic and diverse practice of selection and montage, removal and assembly, ‘taking an image to make an image’. In this series, he draws on the art historical canon, rather than photography and film, to juxtapose the part and whole, to contrast and weigh language, ... Read more
Marian Goodman Gallery is very pleased to announce an exhibition of new works by John Baldessari titled “Double Play” to open on October 19th – November 21st, 2012.
The exhibition consists of a new series of paintings on canvas in which Baldessari engages us in his strategic and diverse practice of selection and montage, removal and assembly, ‘taking an image to make an image’. In this series, he draws on the art historical canon, rather than photography and film, to juxtapose the part and whole, to contrast and weigh language, image, and color, and to interrupt context in order to arrive at new relationships, narrative allusions, or an enigmatic totality. “I am always looking to invert priorities, to make the unimportant important, leaving images out and letting [us] fill in the blanks”, says Baldessari.
«On one hand I think the older an image is the more it is exhausted of meaning – where it is a cliché. It’s dead. Because clichés are dead. I like the idea of playing Dr. Frankenstein and reinvesting the dead, a metaphor, with life again. Because clichés are true – they just have lost their meaning. And I can pump another kind of meaning back into it, but you are still aware of the source and where I’m directing the traffic.»1
Culling imagery from the history of painting, the Double Play works present motifs from art historical sources ranging from the 18th to 20th centuries, conflating visual fragments with adjoined and intersected areas of the canvas made from Baldessari’s own hand-painted color overlays, to create a new hybrid zone of imagination. Paired against this interplay of gesture and media are unrelated texts drawn from song titles as various as Johnny Mercer and Tom Waits. Containing both image and text in combination that the artist considers equally important, each work explores the double life of the image or text, prompting the viewer to invoke their own memory to divine the origins of the work and to construct a new proposition, to unearth unexpected and evocative aggregates from disparate, recombined parts.
As the artist says, “Art comes out of art; if any artist doesn’t admit to that, it doesn’t ring true… The job of an artist is to keep art alive. The torch gets passed to you and you elect to keep it burning. As De Kooning wrote, ‘a masterpiece is a masterpiece if it speaks to the present.’ Just as the job of a writer is to make the reader feel intelligent, the job of an artist is to make the viewer feel intelligent. In a way, ‘Double Play’ is an art history test. Similarly the challenge with electing to incorporate musical titles and link them with images is that they mostly convey emotional states; the danger is in appearing like a Hallmark Card, which I diligently play against.” (John Baldessari, September 2012)
John Baldessari continues to make pioneering work, developed over five decades of conceptual practice in astounding depth and breadth. His work includes photo-text paintings, conceptual works and composite photo-based works, as well as video, books, prints, objects and installation. His work has shaped the very definition of the artist’s role while expanding and interrogating the borders between photography, painting, video, drawing, sculpture and installation.
