The exhibition showcases a single, monumental painting titled An Ideal For Living; a canvas that the artist has spent more than the past year painting. As with a number of Bevilacqua’s works, the title references a particular source of music, in this case the 1978 debut album by the post-punk rock band Joy Division. The band became an obsession for Bevilacqua, so much so that the painting grew along with his focus, consuming his attention and mirroring his state of mind. Each song, each lyric began taking on particular significance... Read more

The exhibition showcases a single, monumental painting titled An Ideal For Living; a canvas that the artist has spent more than the past year painting. As with a number of Bevilacqua’s works, the title references a particular source of music, in this case the 1978 debut album by the post-punk rock band Joy Division. The band became an obsession for Bevilacqua, so much so that the painting grew along with his focus, consuming his attention and mirroring his state of mind. Each song, each lyric began taking on particular significance for Bevilacqua, who found many parallels to his own life and reflected his outlook on his surroundings. An Ideal For Living in fact created the rhythm of the artist’s life over the past year, further loosening his painting style and bringing about a series of work that he refers to as ‘the New Dis Order.’ Clearly diaristic in nature, the 30’ painting features an eclectic mix of color, text, visual styles and process. As rich as one would expect a yearlong work to be, the painting is also nuanced, with areas of sharpness and clarity layered upon washes of color and moody hues. Juxtaposed against this singular outpouring, other new works take a different approach, becoming extremely minimal and hauntingly symbolic, drained of color or highly textured.