Yace Gallery is proud to present Between Forms, the two-person show by Changha Hwang and Paul Fabozzi. The show will open with a reception on the evening of Thursday, April 19th, 2012, from 6 to 8PM. Admirer, 2012 Acrylic on cotton canvas 40x60 inches Changha Hwang’s frenetic paintings are densely layered with psychedelic lines and planes that stretch across the canvas, zigzagging and colliding in a chaotic, optical overload of cross-pollinating colors, a wired superhighway resembling cyberspace. He relishes the relationsh... Read more

Yace Gallery is proud to present Between Forms, the two-person show by Changha Hwang and Paul Fabozzi. The show will open with a reception on the evening of Thursday, April 19th, 2012, from 6 to 8PM.

Admirer, 2012
Acrylic on cotton canvas
40×60 inches

Changha Hwang’s frenetic paintings are densely layered with psychedelic lines and planes that stretch across the canvas, zigzagging and colliding in a chaotic, optical overload of cross-pollinating colors, a wired superhighway resembling cyberspace. He relishes the relationship that elements in his paintings have with each other, and emphasizes the tight tension between forms and hues with rigid precision. In his new series of works, grids and quadrilaterals are particularly pronounced in stacked, overlapping layers. They virtually create a spatial depth that, like the Internet, is simultaneously stimulating and mind numbing. Muted gray, diagonal strips slash across surfaces and slice through broad, bright tetragons, evoking images of the layered windows we see on our computer screens every day. With suggestive innuendos like this, Hwang’s shattered and pixilated pieces zealously impersonate our digital era.

Spectral Variant #3d 4×12, 2009
colored pencil on Mylar,
42 × 92 inches

Alternatively, physical environments inspired artist Paul Fabozzi. The cities he ambles through on a daily basis propelled him to produce his fresh works of art. Instead of taking the conventional route and capturing stale urban scenes, Fabozzi aimed to reinterpret objective data. His pieces contain high-speed lines that zip through a rainbow of kaleidoscopic constructions, creating what resemble Martian maps of geometric metropolises. In systematized webs with embedded fractured shapes, we see local boroughs and intergalactic provinces pulsing with city rhythm. We also see Fabozzi’s interpretation of the act of walking itself, specifically in terms of time, distance, and the methodical act of counting one’s steps. In this show, the artist’s recent series of works, drawn in color pencil on Mylar, will be exhibited alongside preceding oil paintings. By mapping his personal and emotional concept of topology, Paul Fabozzi is a cartographer who is boldly venturing into new territory.