Roberts and Tilton is pleased to announce, Red Time, a site-specific retrospective installation by pioneering Los Angeles artist, Betye Saar (b. 1926, Los Angeles). An amalgamation of found, created, borrowed and recycled objects, the installation will examine Saar’s past, present and future. Red Time is set to divide Saar’s practice into three categories: “In the Beginning,” “Migration and Transformation” and “Beyond Memory.”
“In the Beginning” includes works from 1960-1970, exhibiting Saar’s interest in metaphysics, the... Read more
Roberts and Tilton is pleased to announce, Red Time, a site-specific retrospective installation by pioneering Los Angeles artist, Betye Saar (b. 1926, Los Angeles). An amalgamation of found, created, borrowed and recycled objects, the installation will examine Saar’s past, present and future. Red Time is set to divide Saar’s practice into three categories: “In the Beginning,” “Migration and Transformation” and “Beyond Memory.”
“In the Beginning” includes works from 1960-1970, exhibiting Saar’s interest in metaphysics, the occult and magic. These works incorporate Euro-centric concepts of palmistry, phrenology and astrology in addition to Afro-centric concepts of voodoo and shamanism. Works from this period take form in print, drawing, as well as Assemblage windows, boxes and alters. During this time, while mother to three, Saar became a respected member of Los Angeles art community with peers that include David Hammons, John Outterbridge, Ed Kienholz and George Herms. Many of the works Saar created during 1960-1970 begin to bridge the unknown and the uncomfortable, with allusions to such artists as Romare Bearden, Jacob Lawrence and Joseph Cornell.
