The false objectivity of photography by Véronique Ellena echoes the illusion of the mountain landscape of crumpled papers of Charles Lopez. Urban views and unusual Guillaume Janot tell a city under construction, so that the photograph of Vincent J. Stoker is the destruction of a world that is being rebuilt on the ashes. Boards "Plywood fossil" Guillaume Linard-Osorio result of a telescoping poetic shorts periods. As for the painting of Marlene Mocquet, she opened the window of the mental landscape and unresponsive to any ... Read more

The false objectivity of photography by Véronique Ellena echoes the illusion of the mountain landscape of crumpled papers of Charles Lopez. Urban views and unusual Guillaume Janot tell a city under construction, so that the photograph of Vincent J. Stoker is the destruction of a world that is being rebuilt on the ashes. Boards “Plywood fossil” Guillaume Linard-Osorio result of a telescoping poetic shorts periods. As for the painting of Marlene Mocquet, she opened the window of the mental landscape and unresponsive to any rules other than those of free interpretation.