White Cube Mason's Yard is delighted to present a new series of paintings by the internationally acclaimed artist Georg Baselitz. Covering three principal themes - eagles, dogs and double portraits - the paintings attest the persistent vigour of his distinctive pictorial style and exploration of personal and collective narratives.
The images of these paintings first appeared in the historic edition of the German newspaper 'Die Welt' on the occasion of the twentieth anniversary of German reunification last year. Having grown up i... Read more
White Cube Mason’s Yard is delighted to present a new series of paintings by the internationally acclaimed artist Georg Baselitz. Covering three principal themes – eagles, dogs and double portraits – the paintings attest the persistent vigour of his distinctive pictorial style and exploration of personal and collective narratives.
The images of these paintings first appeared in the historic edition of the German newspaper ‘Die Welt’ on the occasion of the twentieth anniversary of German reunification last year. Having grown up in East Germany before moving west as a student, Baselitz’s work has long referenced aspects of German history and its cultural identity: as he has noted ‘my pictures are content-heavy, just dripping with history’. For the 1 October 2010 edition, the newspaper reproduced Baselitz’s paintings in lieu of all photographs, so that the works appeared as singular images, featuring in the international news, finance, culture, sports and editorial sections without reference to the articles they accompanied.
In the double portrait paintings, loosely grouped as ‘Seid Bereit, Immer Bereit’ (‘Be Prepared, Always Prepared’), Baselitz takes as his starting point the slogan of the Young Pioneers movement, of which he and his wife were members as children. Whilst governed by the Communist party as a means of espousing its ideological principles, the organisation was more akin to the Scout movement in its primary emphasis on promoting outdoor skills and preparedness. In these paintings, two figures, upside-down, adopt the greeting of the Pioneers, one of whom is perched on a table; this device alludes to a painting by Otto Dix which has previously provided inspiration for Baselitz. Each variation draws upon different painterly techniques, with washes of acidic colour and pointillist strokes.
